Tangible Excitement.

Estacado's back, baby.
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Social Notworking.

Thank You, Destructoid.

Two weeks in, outages, fan reactions and emotions torn asunder, the PSN is still down, even though the initial promise was to have the service up and running just before the two week mark hit on May 3rd, 2011.
We are nearing the third week, and despite promises to the contrary, the PSN is still down.

Of course, it’s easy to point the finger and blame outside elements, but the fact of the matter is that Sony being unprepared to an attack of such magnitude was not only irresponsible, but it put the company’s fans and consumers at risk. How does one run a multi-million dollar network 70 million or so users deep and not even have a basic firewall to protect against malicious users? How do you not inform your consumers that their personal information may be at stake for two days until you’ve completely pulled the plug and started a chain of fear and bad PR that will sit with you forever? HOW do you admit that you are just as vulnerable as your consumers when you’ve stood as a sentinel for your various online practices for years?

It’s a terrible situation, and one that has cost the company so much that I’m sure execs are envisioning ritual suicide in their minds while thinking about their figures at the end of this quarter, most of all Activision for losing out on that glorious Black Ops server time.

Most consumers are just lamenting the fact that they can’t play online, but the ripple effect is far greater. players who purchased the new Mortal Kombat, despite the game being rife with offline content, can’t hone their skills online against other players or redeem their bonus content. Lucky players invited to the inFamous 2 beta have been cut off, and Sucker Punch is losing out on valuable data that would aid their development. Owners of the online-only DC Universe Online have no adventures to embark upon.

We have just passed the month of the shooter in April. Because it is arguably the most popular genre indulged in online play, this means recent releases like Bulletstorm, Crysis 2, Killzone 3, Homefront, Portal 2, and the unlucky faithful who purchased SOCOM 4 have all been left out to dry. Unlike the others in the aformentioned list, They’re the ones suffering the worst, being left to read middling to poor reviews for their game, and having nothing more than a mediocre single player with no online to justify their $60-$150 investment. Even smaller, bite sized games available now for download like Moon Diver andOutland aren’t receiving the audience they should.




Part of the compensation has been said to be free gifts in the form of two as unannounced PSP/PSN titles, and a 30 day subscription to Playstation Plus, but in my opinion, those are frivolities that won’t gain our trust back. A free game will only remind us of the potential identity theft that may have toppled the PS Store’s database, and the minimal benefits of Playstation Plus for a trial period will likely deter more potential subscribers than it would’ve gained due to the ambiguity surrounding the subscription’s benefits. Free gifts of questionable value aren't the way to go. They're cute, but they aren't reassuring, like a stuffed animal presented as an apology for cheating.

I think if Sony wants to mend this, they need to let us in. Business practices and the delayed dissemination of information aside, we as consumers and gamers need to know what Sony plans to do to make their network secure. We need assurance that our information is secure. We need to know that our games will be fully functional. Most of all, we need to know that it won’t happen again. CEO Howard Stringer wrote a somewhat heartfelt apology to the users two days ago for this extended debacle with the promise to restore as soon as possible. While I consider that a step in the right direction, I truly hope they keep the PSN down as long as it needs to be. An extended delay is better than rushing to the finish.

Sources, reading material if you’re interested:

http://technologizer.com/2011/05/06/sir-howard-speaks-out/"target"_blank"
http://www.destructoid.com/geohot-blames-sony-executives-for-psn-hacking-debacle-199965.phtml
http://www.joystiq.com/2011/05/05/psn-servers-were-unpatched-and-had-no-firewall-installed-secu/

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Crying Wolf – DJ Hero 2 Ultra Records Mix Pack Review

Well, don’t I feel like a conspiracy theorist.

Far from running around for several months declaring the not-so-harmonious death of my favorite music franchise several times over,I truly believed that the last pack (that in itself the last-last pack) was all there was, and after completing the slightly underwhelming last (last) one, I packed my turntable away, and lost myself in a sea of FPS games. Imagine my surprise when news of this seemingly random mix pack found it’s way into my mailbox. Done? Bug-eyed much?

Now imagine my amazement when the words Deadmau5, Benny Benassi and Yolanda Be Cool crossed my eyes.

Oh, I’m done declaring this series dead. Yes I am.


DJ Hero 2 “Ultra Mix Pack" (Downloadable Content)
For: Xbox 360, PS3, Wii (Songs sold as individual tracks)
Publisher: Activision/Freestyle Games
Price: 640 Microsoft Points, $7.99 PSN, 300 Wii points (per track)
Release: 4/19/2011
Reviewed on Expert difficulty; Individual songs on a 1-5 point scale, overall is by 10 and not an average.


Benny Benassi - House Music




As it stands, House Music was already a deep, bass heavy song, but FSG apparently wasn’t satisfied with completely buzzing your ears off with one of BB’s finest. No, I’m pretty sure they wanted to make your head explode with a high-tier track. It was a SUCCESS, with their manic style complimenting this already up tempo track with a range of effects that make it sound like it received a shot of adrenaline. It’s all deep lows and piercing effects here, with a challenging, tap heavy chart that has its scratches and samples paced just right to lend a feeling of control over the beat. Even the scratchdown>tap pattern from “Sexy Chick” makes a return here, and it managed to throw me off when it came back at me in reverse. Excellent, excellent track to kick things off, and I don’t say it lightly. It captured the energy of the original perfectly, and only changed things slightly to make it distinct as a DJH mix. Believe that I couldn’t stop myself from dancing in my seat.

Rating: 5/5

Deadmau5 - Sofi Needs A Ladder



Deadmau5 and Sofi’s affair first graced my ears in Need for Speed: Hot Pursuit, and the fandom carried over into the (awesome) album 4x4=12, so I practically decided while downloading this DLC that it would be my favorite song in the pack. The sad truth is that, it is not. This however, does not mean it’s bad. It’s an oddly reverse take on the original, in that it starts out slow with lyrics from the END of the song, and then incorporates the rest about 2/3rds through for a better paced finish. While this change really affects how the song sounds and feels (and it does feel odd if you’re used to the original), it’s still undeniably Deadmau5. Call me crazy, but FSG must know that he’s an avid gamer, because this is a pretty challenging track that actually had my fingers cramping a bit midway through. At the end of the day however, it’s a good track, but not the great one I was expecting. I also can’t shake the feeling that it seems like a bit of a missed opportunity to mess with Sofi’s lyrics as well. Listening to her call out her addiction in metaphors in the original seemed ripe for mixing, but even if they weren’t feeling creative enough for the entire song, having them intact would’ve been better than cutting most of them out, similar to the way “Move for Me” was charted. I feel like it’s the one thing holding this track from the greatness it should’ve been.

Rating: 3/5

Yolanda Be Cool - We Speak No Americano



Fun fun fun. This track, whose band doubles as a Pulp Fiction reference (trivia!) has much going for it, already sampling the humorous song Tu vuò fà l'americano. As a result, it has a nutty, goofy feel to it, with samples in all the right places and enough mixed challenge to keep you guessing. The various ways FSG has managed to keep this game tricky is impressive, and I don’t know who can hit that series of taps/scratches without spraining something, but power to them. As good as I am, I’m pretty sure I broke something on my first attempt. Don’t let this ward you off though, because the song is so much fun that it becomes irrelevant about halfway through. I had fun with this one, and I love the sound they came up with for it. As I mentioned about House Music earlier, this is an example of a remix shaking things up enough to make it different from the original, with just enough flavor to keep it familiar. Kudos.

Rating:5/5

This is prime. If I didn’t know any better, I’d say FSG is pulling out all the stops, making a case for DJ Hero’s continued existence with an outburst of talent and wit. The in-game “hero feed” says that this is the final DLC pack for the game. Excuse me if I have trouble believing that after hearing it so many times before. I have faith in them. Ten DLC packs spanning twenty-nine songs later, I’m still on board, and I’m still dancing to what I consider one of the best game soundtracks ever. Anyone listening to this music and deciding the series needs to close is outright insane. There couldn’t be a stronger case for this to go on.

Rating: 9.0

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Sonic Generations looks..

AWESOME. Now that we are in agreement, hit the jump for more details!




Yeah.
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IRL Box?

Love Cut the Rope? If you have an iOS device, OF COURSE YOU DO. The fun, addictive puzzle game from Zeptolab is extremely hard to put down once you’ve picked it up, and semi-frequent updates ensure that adorable character Om Nom’s hunger (and your spare time) are kept at bay.

The latest update added the “Magic Box”, which, in addition to 25 new levels and three achievements, adds a new element in the form of top hats, teleporting a new layer of complexity towards players’ feeding endeavors.

To celebrate the release, the wonderful people at Zeptolab constructed a MASSIVE demo unit at Los Angeles' Hollywood & Highland Center. Looking like it was pulled straight from the game, the unit features 9 huge touch screens well suited for all sorts of rope cutting, creature feeding craziness.

I’m not sure what else needs to be said, because if you’ve played this even once, you’re probably already halfway across the state to run off and conquer this thing. If you aren’t situated on the West Coast, fear not! Another one was spotted in Atlanta International Airport.

Road trip, anyone?

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Mortal Technique?

And as much as things change, they stay the same.

The Tournament Edition Arcade Stick for the upcoming Mortal Kombat game is up for preorder now, and is literally a direct opposite from the Madcatz/Sanwa themed endeavor for Street Fighter 4. Where the aim with the SF4 stick was to recreate the feel of an authentic Japanese style arcade cabinet, this stick looks to replicate the feel of an American-style one instead, you gaijins. An article up at IGN Gear has shots and impressions of the thing, and honestly, aside from the storage ability and cool blood-spattered finish, I can't see how this thing would be comfortable to play on, by any stretch of the imagination.

Let's forget for a second that for all the effort to strip everything from MK that didn't work and augmenting everything that did (and I am LOVING the effort, believe me), the game is still a 2D fighting series with a BLOCK button. Why they continue to deem this a necessary evil is beyond me, but I'm pretty sure it's why this stick's design mocks the button layout of an MK cabinet circa 1993. Concave buttons made from HAPP parts, bat top arcade stick, funky vewlix button layout. Only thing missing is the oppressive rumbling of the DCS sound system to make you want to stick quarters in the thing to shock nearby gamers with the "HEY I'M ABOUT TO PLAY MK" gong noises.



I appreciate the nostalgia, I do, but the block button was one of those things that just DIDN'T make sense in a 2D fighter, and I'm pretty certain it's why the stick has the layout it does now! Looking like a five sided die is not only strange and ergonomically awkward, but it pretty much ensures that you'll be playing nothing but Mortal Kombat on this thing. I'm mean, look at where the LT and RB are located! Even though PDP (the manufacturer) has ensured that it'll be fully customizable, I still find myself somewhere between praising the return to roots and wondering if $150 is really a reasonable price for a controller I'm only going to use with ONE type of fighting game.

Is that really a good investment?..

Source: IGN
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Iwata should look around a little.

With Nintendo's president biting back at Apple for all their oversaturation "tactics", it's more than a bit funny that they should tout the fact that they have more software on their console as a positive thing. Quality over quantity, the oblivious president parrots to an audience surely scratching their heads in confusion. He implies the innovations in social gaming are going to kill the industry if we aren't careful. He says Apple is mostly to blame with their implementation of the app store encouraging "garage" developers to produce cheaper content, and mobile games are dragging the quality bar down even further by lacking the value and personal satisfaction that a $40 game carries with its purchase.

You know. Like Nintendo's $40 games.

This sounds less like a concerned parent of the industry and more like the lamentations of one unable to keep up with it's baby's development.

The Wii may have more software from its competitors, but how much of that is quality Software? Anyone even keeping up with the industry a little, or even owning a Wii knows that the system has become a dumping ground for shovelware and garbage titles, and outside of some select third party offerings and Nintendo's own First Party lineup, there isn't anything on the console worth picking up. Is that really a better alternative?

So they're effectively the App store, just in a physical form. Just ask their "Seal of Quality", which went from being the beacon of light that saved the industry in the 80's to having it's meaning removed entirely. Hardly coincidence.



The seal speaks louder than words.


It's interesting seeing Nintendo react to competition for once, but this is just childish. While they were able to sit and casually laugh at Sony's bid for power over content in the portable gaming space, Apple's iOS and social platforms like Facebook are starting to cut into the big N's market share in a huge way. With cellphones getting more advanced by the day and digital distribution not having the same costly hangups as retail (including piracy), they are going to have to work harder than they ever have to maintain their position as number one.

Perhaps, moving forward, Nintendo should focus on avenues of profit that will benefit them, and make them seem less like a pigheaded company who's been profiting off the misinformed indifference of the casual consumer. If cellphones and mobile gaming platforms are making your premium priced offerings seem overpriced and stale, the solution is to make better games, and a consistent string of quality across titles. Not try and insist that such games shouldn't exist.

Even though I have no doubt that the 3DS will be successful, its version of Super Street Fighter 4 costs more than even its console incarnation at $39.99, boasting little over the original incarnation. Aside from that game which is admittedly well done, it's sharing the shelf with half-baked ports of Rayman, Madden, Pilotwings, Asphalt, and a who-asked-for-this new version of Nintendogs, all for $39.99 as well.

This is going to be a bit of an uphill battle for them, especially with so many options for the consumer as far as platform is concerned. While ports like this are fine in the beginning, I hope that they're ready to outdo their competitors in terms of content, or they're just going to end up with another Wii situation, where lazy developers will turn out gimmicky piece of software after software, charging the same high prices that will drive their audience into the arms of their competitors. It's easy to purchase the racing game Asphalt on an iPhone for $3, and lament the loss if it's terrible. It's a much bigger pill to swallow when the game is $40.

Hell, I bought the (234237th) port or Rayman 2 on my phone for $1 over a year ago. There's no way I'm buying it for the 3DS. 3D butterflies aren't worth that much, I'm sorry.

Like it or not, this is the exact kind of social gaming and open environment Nintendo helped initiate, culminating the minute they decided to involve the world by making their console's name a euphemism for it. So now we're playing Farmville, Angry Birds, and portable versions of games like Dead Space that are of such a quality that they could've existed on a DS or PSP for large sum. Instead, they're available for six dollars, confortably in a climate that allows them to be so.

No point in trying to turn back now.


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